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Solange Knowles Covers Complex’s June/July 2013 Issue; Speaks On Motherhood, The Music Industry & Much More

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Singer and fashion icon Solange Knowles covers the June/July 2013 issue of Complex magazine. There’s no doubt that Solo stepped out of her big sister Beyoncé’s shadow and became a celebrity of her own. Solo made a name for herself after releasing various hit records as well as writing for other artists including Beyoncé. Her latest EP, True has received great reviews from music critics. Solo’s printed, floral and colorful outfits made her a fashion icon. For this issue, Solo was photographed by industry photographer team JUCO. She wore a few color-blocked outfits. In the cover story, she spoke to journalist Laura Checkoway about motherhood, taking a break from recording, returning to music, the Houston Hip-Hop scene, issues with her former labels, and much more. Read full interview over at Complex. Peep the pics below:

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Photos Credit: Complex| JUCO

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Alicia Keys Covers Complex’s December 2012/January 2013 Issue & Opens Up About Her Personal Life

Rapper A$AP Rocky is not the only artist who is covering Complex magazine’s December 2012/January 2013 issue. Singer Alicia Keys also graces this issue. On the cover, A. Keys shows a lot of skin in a fluffy white dress. In the process of recording her new album, Girl On Fire which arrives November 27, A. Keys met with Complex’s senior editor Rob Kenner in London to do an in-depth interview for her cover story. She opens up and talks about a lot of personal things. This issue goes on sale December 4, but some highlights are below:

On competing with herself and not wanting to be compared to the other music greats: 

“I’m competitive with myself in the sense that I want to get better,” she says now. “It’s not that I’m obsessively dissecting myself, but there’s a critique that happens. I am very driven. I’m not comparing myself to other people. I don’t wanna be like her or him. I want to be my best.”

On her song “Brand New Me”.

“Don’t be mad that I’m different,” Alicia explains about the song. “Don’t be mad that I’m changed. Don’t be mad that I’m grown. You can’t affect me the way you once did. You can’t be mad. Like, how could you be mad?”

Inspirations behind her new album:

“Before making this record, in some ways I felt like a lion locked in a cage,” she wrote. “I felt like a girl misunderstood that no one really knew. I felt like it was time to stop making excuses for any part of my life that I wanted to change. Once I made that choice I became a girl on fire, the lion broke free!”

On starting so young and being in the industry most of her life:

“Because I started so young, so much of my life has been like catching up to myself—or trying to run underneath myself so I’m not falling. I finally stepped back and was able to look at it all and say ‘Wow.’ No complaints. I’m glad to be where I am and have this life. But it could be different. I don’t want to have the type of life where I’m not living or I’m always working or always fitting into whatever perfect box. I don’t want that type of hectic life. I don’t want people in my life that encourage that in any way. I’m not my old self anymore.”

On changing herself for the better:

“Becoming my new self, some people didn’t understand me anymore. Some people who I knew for years—we couldn’t be on the same page anymore. That’s OK because that’s part of growing, too. The hardest thing is to trust yourself, to know that what you’re feeling is valid. A lot of times we dismiss our feelings. I realized that I can trust myself and say, ‘No, I’m not comfortable with that.’ That was the toughest part. When I finally had the bravery to do that, that’s when I started to feel on fire.”

Read this interview in its entirety over at Complex.

Source Complex | Photography by Gavin Bond

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A$AP Rocky Covers Complex’s December 2012/January 2013 Issue; Speaks On His Debut Album, Fashion & More

It has been a little over a year, since Harlem’s rapper and fashion trendsetter A$AP Rocky signed his $3 million deal with Pologronds/RCA Records. His Long.Live.A$AP and A$AP Mob mixtapes shook up the industry and showed the world that a new generation of trill kids are destined to become the next big thing in rap. Hard work beats talent any day and all of Rocky’s hard work is paying off. He is covering the December/January issue of Complex magazine. Inside his cover story, Rocky speaks about his upcoming debut album, future plans of running a label, and being a fashion trendsetter. This issue officially hits newsstands December 4. Below are some highlights.

You’re about to drop Long.Live.A$AP. That’s a big deal. What are you most excited about?
I’m most excited about finally unleashing this album that I’ve imprisoned for the past year. It’s begging to be free and rejoiced by the world. It’s some trill shit. It’s some real smoking weed, struggling, some real motherfuckers-is-coming-for-my-head, some real this-is-how-I-feel, this-is-how-you-feel shit.

People are always focused on an artist’s first week sales. With so much riding on your debut are you concerned?
Fuck no. ’Cause if I start being concerned about that shit I’m going to fail. I can’t be concerned with that. Hopefully God will make it so. I’ll do good. What does first week sales mean when Robin Thicke, who ended up doing nothing first week, goes double-platinum? The music industry is nothing like how it used to be. Everything’s different now.

It seems that you’re committed to building the success of the A$AP Mob. Do you think you’ll ever be ready to be a label head?
I hope so, ’cause I would fuck the industry up. I would open the door for all the trill motherfuckers that need that shot. West Coast niggas, southern niggas, New York niggas, midwest niggas, fucking European London niggas that I met, fucking French people. Not just on some A$AP Rocky-sounding shit—I’m talking about people who deserve a shot. And motherfuckers don’t want to give it to them ’cause it’s underground shit.

The Odd Future comparisons have gone away.
Thank God. It was just because we were a group. They were out first. I came out with a group. We’re all into the same shit. They wear Supreme, we like Supreme. It was silly shit. We’re nothing alike, when you think about it.

Do you think any of hip-hop’s fashion greats are influencing more people than you?
Hmm…no.

Do you think you’re influencing people like Kanye?
Of course. That’s obvious. [Laughs.] We’re all in the same circle. He’s way richer than me, but of course he’s influenced by me. C’mon, bro. I made waxed denim cool in hip-hop. Fucking waxed denim and rips in jeans. Nobody else did that. I don’t give a fuck. I didn’t know what I was doing. These jeans are Balmain, and I wear them with a Supreme jacket. Of course I’m influencing.

Read the interview in its entirety and see more pics over at Complex.

Source: Complex

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Wiz Khalifa Air Walks On A Tightrope On Complex’s October/November 2012 Issue

Without a release date for his sophomore album, O.N.I.F.C., Wiz Khalifa still managed to cover Complex‘s October/November 2012 issue.

Rap stardom in 2012 is a high-wire act. Just ask Wiz Khalifa. The Pittsburgh spitter has progressed from mixtape hero to Internet sensation to bonafide superstar. Mainstream hits like “Roll Up” and “Black & Yellow” have allowed him to enjoy the finer things in life, but they’ve also brought complaints from longtime Taylor Gang fans that Wiz switched his style up in pursuit of pop stardom. You can’t please everybody, but Wiz knows that maintaining a successful career in hip-hop is all about staying true to yourself while striking the perfect balance. The issue officially hits stands on October 2, but you can read the entire cover story right now over at Complex.”

Source: Complex

Photographer Bryce Duffy

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2 Chainz Talks To Complex About ‘B.O.A.T.S.’, Critics, Playing College Basketball, G.O.O.D. Music & More

Def Jam’s rapper 2 Chainz debut solo LP, Based On A Tru Story arrives at midnight (Tuesday August 14). The disc will feature guest appearances from Kanye West, Drake, Nicki Minaj, Lil Wayne and more. Buy now on iTunes or Amazon! The Atlanta native is in full album mode. All week he will be doing promo, press & public appearances. Complex magazine caught up with 2 Chainz while he was in Baltimore. During his interview, he talks about people criticizing his music, being satisfied with the outcome of his album, having a number one single, playing college basketball, G.O.O.D. Music and much more. Below are some excerpts:

If someone has a criticism of your music—like, some people think your rhyming style isn’t up to their standards—do you think that sometimes it isn’t hate, but that there’s something you could learn from that person’s perspective?
Everybody has their own opinion. Hating is a word I hate to use; it’s so over-saturated. I don’t feel like everybody is a hater. A person does have an opinion of their own. It’s just always cool to have a reason why. I think that’s what people look for: OK, if you don’t like it then why? You gon’ have to have a reason at the end of the day.

Are you fully satisfied with this album? Do you feel you had time to make the perfect project that you wanted to make? Or do you have those “Damn, I could’ve done this,” type of moments?
I have a studio everywhere I go. I wasn’t rushed. It wasn’t a time issue. It’s almost perfect because we have the No. 1 song with “No Lie,” another song up and running—”Birthday Song” featuring Kanye—and I couldn’t ask for a better set up. I mean, people actually want my album before it comes out. I remember when we did that with a couple of albums in the past. I remember the new Hov when he was retired. That Black Album. I wanted that. So I just feel that it’s cool to have that anticipation. People want to hear my music. It makes it more about the music, too.

What are you thinking about for the next single?
I really like this record “In Town” with Mike Posner. That’s my friend. Cool-ass dude. I got the “Extremely Blessed” record with Dream. I got the video to “I Luv Dem Strippers” with Nicki Minaj. It was fun doing that.

Via Complex

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Teyana Taylor Talks To Complex About How She Met Kanye West, Rihanna & Rita Ora Dressing Like Her & Much More

After being released from Pharrell Williams’s Star Trak label in the beginning of the year, Teyana Taylor is officially G.O.O.D. In the spring, she signed a deal with Kanye West’s label. In April, she released her first EP, entitled The Misunderstanding of Teyana Taylor. The disc received mixed reviews from music critics. She is now gearing up for the release of G.O.O.D. Music’s Cruel Summer compilation album which arrives September 4. On August 6, Teyana will hit the studio to start working on her debut solo album. In an interview with Complex, Teyana talked about meeting Kanye West for the first time, being the only female signed to G.O.O.D. Music, Cruel Summer, being released from Star Trak, fashion and much more. Below are some excerpts:

How did you first meet Kanye West?

At his Glow in the Dark tour with him, N.E.R.D. and Rihanna. At the time I was signed to Pharrell Williams and his Star Trak label. Kanye used to always like my outfits. So from jump we became fashion friends and we’d talk about different clothes and designing different things. We’d email each other different garments that we liked. That’s how we became friends and super close.

What’s it like to be the only G.O.O.D. girl?
It feels great, knowing that I’m the first and only girl. It just makes me think about everybody who doubted. To have the opportunity to be a part of something so iconic is amazing.

What are you doing on the Cruel Summer album?
I rapped on certain songs. I sing on certain songs. But like everyone else in the group, I really don’t know what’s making the album. But it’s definitely going to be some hot shit. Different shit. Not that shit that everybody expects.

You dropped your mixtape in the spring. Can we expect more of the hip-hop soul type of sound from you?
My mixtape, The Misunderstanding Of Teyana Taylor, gives people a very ‘90s vibe. I’m pretty consistent with my music. Kanye loves that. He’s always like, “Every time she gets on a track, she’s on some Mary shit.” I just appreciate the way R&B used to be. I’m trapped in it. I’m staying consistent with it.

Source: Complex

Picture:  Fabien Montique

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Big Sean Talks ‘Cruel Summer’, “Mercy”, The Meaning Of “Swerve” & His New Album With Complex

Big Sean is living out his dreams! The Detroit native rose from the streets of D-Town to the top of the music industry, where he currently sits with his mentor Kanye West. As I previous reported, Sean is in the studio working on his sophomore album which arrives soon. In an interview with Complex, Sean talks about G.O.O.D. Music collaborative album Cruel Summer, the single “Mercy”, the meaning of his ad-lib “Swerve” and much more. Below are some excerpts:

Let’s talk about the spirit of competition. Where will Cruel Summer rank amongst the great hip-hop compilation albums?

Big Sean: I just feel like we’re the best. I’ve heard a lot of the collaborations. I’ve heard what people have been doing. Of course you’re going to listen to it and try to make your music the best, so that’s what we’ve been doing—making our music the best it can be. The best quality, the best raps, the best concepts, and it’s going to be unique.

As a crew, G.O.O.D. Music is taking it to levels that really haven’t been done collectively. Kanye is someone who knows how to make classic albums, a true thinker. He got me in the mindset of being a true thinker and always planning out every move you got going.

Is it true that your “Mercy” verse started out as a random freestyle for Kanye?

Yeah, I was really freestyling with Kanye backstage at the Watch the Throne tour and he was like, “Man, you got to say this on the record.” I was like, “Man, I ain’t about to say that. I just put out ‘A$$.’ I don’t need to be talking about no ‘ass-quake, ass-tate.’” But I just laid it to see how it sounded and then for a while, there were no other verses on “Mercy.”

It was just my verse and we were vibing to it, so it naturally fit on there. I don’t really write any of my raps down. The same, Kanye don’t write any of his raps down. Common. It’s easy that way. For me, personally, I figure I will lose some of the inspiration in the time of me writing it down or I’ll say it a certain way because I wrote it a certain way. When I go in there and do it, it’s easier for me.

Source: Complex

Picture via  NABIL (@nabildo)

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Life Is Good: Nas Covers Complex’s June/July 2012 Issue

Queen Hip-Hop legend Nas is covering the June/July issue of Complex magazine. This is history once again because Nasty Nas appeared on Complex’s first-ever issue back in 2002. 10 years later, Nasty Nas reconnects with the music/fashion publication for their 10th Anniversary celebration. On the cover, they took it back to the essence as Nas is sitting next to crates with his albums in front of them on a street corner looking very Hip-Hop in a Hawaii shirt, bucket hat, white beater and Timbaland boots. The cover story was shot by photographer Kareem Black ans written by writer Rob Marriott, who sat down with Nas for a long conversation. Below are some excerpts:

Nasir Jones, 38, is not a hologram. Leaning in the back of a black Escalade, he’s a living, breathing legend. Unlike ’Pac, Nas still walks amongst us—growing older and wiser, taking missteps, surviving. The recently divorced father of a teenage daughter and a 3-year-old son, he had to pay a grip to his ex—the R&B/rock chick Kelis—just before she gave birth. And just as he had to pay another pound of flesh to the IRS.”

Life is Good will be your tenth solo album. Is this a watershed moment for you, or just another album?
This is different. The way you work, your approach, is different each time. I’m at a cool, mature, easy place.

“Daughters” was an emotional record. What made you be so honest?
This is the first time I’m dealing with a teenage daughter, and it blows me away. I don’t know that you’re ever prepared to be a parent. Once you become one, that’s your responsibility. It’s more like me talking to myself, about how I could have been there a lot more. I beat myself up for not being the best I could be. I would ask her: “Am I a cool dad?” or “Am I a good dad? Did I fuck up?” And she would say, “Nah, you’re good.” That’s important to me because I started as a teen. I was around 19 when her mother was pregnant. My daughter means a lot to me. It’s just a record that came from the heart.

Read the entire interview over at Complex.

Source: Complex

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Cash Money Billionaire: Birdman Speaks On How He Built His Brand, Rumors About Signing Rick Ross And The Game & Jay-Z “Baby Money” Line

Music mogul Bryan “Birdman” Williams is a true hustla and professional businessman. In the late 90′s, he secured a $30 million distribution deal with Universal for his Cash Money label. In my opinion, Birdman is one of the greatest visionaries in music’s history.  His label sold over 150 million records worldwide and he also has a winning team. The 43-year-old mogul, who’s known for flashing diamonds, cars, planes and yachts, had already made enough money where he could be kicking his feet up, but instead he keeps putting in long hours a day and sleepless nights to turn his brand into a billion dollar company. Complex magazine caught up with Birdman for an interview. The New Orleans native talked about how he built his brand, rumors about signing Rick Ross and The Game, Nicki Minaj being the biggest female rapper ever, Jay-Z  ”baby money” line and much more. Below are some excerpts:

What is the difference between the music business today and 10 years ago?

Time changes time. Everything about the game changed from 10 years ago to now. You never had none of the things that we have now, like the Internet. So many different ways for us to make money now in music. And it’s so digital. We’re a digital-driven brand, we’re an Internet brand. We global nowadays. 15 years ago, when we first jumped on the scene with Universal, we had gotten too big as artists to be independent. But I still look at us as an indie company because we’re self-contained, we’re self owned. We came in the game self-contained, we probably the last independent label that lasted as long as it did. We our own bosses, run our own ship. For years we did it all off our own money. [The Universal deal] was a risk from day one, but I refuse to let somebody take something that we work hard for and just take half of it. I couldn’t see myself doing that.

How many records has Cash Money sold so far?

We sold 150 million so far. Our track record runs deep. We’ve been the most dominant force of 2011, we gonna be the most dominant force of 2012. We have 16 releases in the first six months of this year. Our goal, as a brand, is to put out 100 albums a year. So I’m trying to figure out how we gonna reach that…

Source: Complex

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NEXT PAGE: BIRDMAN SPEAKS ON HIS MOTIVATION, RUMORS OF SIGNING RICK ROSS AND THE GAME,NICKI MINAJ BEING THE BIGGEST FEMALE ARTIST EVER,  KANYE WEST AND JAY-Z’S “BABY MONEY”.

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Cameras Flashing: Nicki Minaj Covers Complex’s 10th Anniversary Issue

Love her or hate her, there’s no denying that Nicki Minaj is winning. At the current moment, Minaj is the biggest Hip-Hop artist (male or female) in the world. Over 15 million likes on Facebook and over Nine million followers on Twitter. Minaj’s multi-platinum debut album, Pink Friday definitely put this Queens native on the map. She is featured on the cover of Complex‘s 10th Anniversary Issue. Pop singer Justin Bieber is also featured on the cover. Minaj was interviewed by celebrity blogger and Hot 97′s news editor Miss Info. In the cover story, Minaj and Info talked about branding, working with Jay-Z, her 10 years plan, artists being puppets, exceeding her goals and expectations, whether record labels could create another rap brand like hers and much more. Below are some excerpts:

What wows you these days? Everything that comes your way keeps becoming bigger, bigger, bigger.
If I wasn’t doing it, I wouldn’t believe it’s possible. I remember when I was working with Jay-Z. It was like, “Oh my God. Did I really just do a song with Jay?” I worked with Mariah and it wasn’t commercially successful. But I had fun and I made a real friendship with her. It was, obviously, a life-changing moment for me. It does feel like every moment is getting bigger and bigger. Not only did I get a call to do a song with Madonna, but then I got a call to do a video with Madonna, and then—oh, by the way—you’re going to do the Super Bowl with Madonna. This is not really happening.

When you’re constantly exceeding your own expectations, how do you set new goals?
Doing the Super Bowl with Madonna doesn’t really change Nicki Minaj’s personal goals. My goal right now is still to put out Pink Friday: Roman Reloaded, sell five million copies eventually, and tour every country in the world. That’s what I’ve been working toward. So while the world is talking about, “Oh my God, I can’t believe Nicki Minaj was at the Super Bowl!” I’m mixing and mastering my music. In my scheme of things it’s way bigger.

I always got a kick out of the endless debates over who was managing you. I’ve known you through three sets of managers [Deb Antney, Puffy and James Cruz, and Hip Hop Since 1978] and in every case, it was always clear that…
Little do they know, I manage myself.

Source: Complex

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